Misguided we-must-protect-the-children! EXPLICIT labelling on pop music proves weirdly useful 30 years after its introduction as a rough proxy for β€œthis isn't the artist the algorithm thinks you want.”

(I'll stop griping about this when (a) I see new music from Wire & its the Wire I expect, or (b) I quit Spotify. One of these is coming up sooner than the other.)